In Icíar Bollaín’s “Even the Rain” Gael Garcia Bernal plays Sebastian, a director who brings his crew to Bolivia to tell the tale of Christopher Columbus coming to the Americas, and the natives that stood up to their conqueror’s suppression. Sebastian’s producer Costa (played with a wonderful combination of scowl and tenderness by Luis Tosar) is along for the ride, as well as the rest of the crew, and a cast of both Spaniards and local Bolivians, chosen from hundreds to play the native people. However, a wrench is thrown into production when the man cast as the leader of the rebellion in Sebastian’s film (Daniel) turns out to be going totally method: he is also the primary voice of a rebellion against the Bolivian government’s subsidization of their people’s water. From wells to rain buckets, the government is slowly buying up or outlawing any natural water sources in the Bolivian people’s villages—so they can sell it back to them.
: Even the Rain sets up an intriguing dialogue about Spanish imperialism through incidents taking place some 500 years apart, while examining the personal belief systems of the members of a film crew headed by director Sebastian (Gael Garcia Bernal) and his producer Costa (Luis Tosar) who arrive in Bolivia to make a revisionist film about the conquest of Latin America”Even the Rain” (También la lluvia) sets up an intriguing dialogue about Spanish imperialism through incidents taking place some 500 years apart, while examining the personal belief systems of the members of a film crew headed by director Sebastian and his producer Costa who arrive in Bolivia to make a revisionist film about the conquest of Latin America. Set in February and March of 2000, when real-life protests against the privatization of water rocked the nation, the film reflexively blurs the line between fiction and reality.
First of all, it has a bona fide movie star in Gael Garcia Bernal. It also has a strong social conscience that often appeals to the Academy’s liberal wing. Beyond that, its story about the unexpected perils of filmmaking will strike a chord with industry insiders.
Most important of all, however, it happens to be an excellent film that will be hard for voters to ignore. Vitagraph will release the movie around the time of the Oscars, and if it scores a nomination, it could generate nice business on the specialty circuit.
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